The Puerta Nueva de Bisagra is of Arab origin, and was rebuilt by Alonso de Covarrubias in Renaissance-style, back in the 16th century. It is one of Toledo’s six  medieval city gates.

The side that faces the city opens up with a semi-circular arch, flanked by two square towers with roofs and decorated with the coat of arms of Charles I. The other side has an arch that bears the city’s coat of arms. This arch is flanked by two huge circular towers.

Across the road is the Tourist Information office.

The Puerta del sol was built by the Hospitaller Knights as a gateway to the walled city in the 13th century.

It has a rectangular floor plan which finishes in a semi-circle. The entrance, with a horseshoe arch, is flanked by two towers. At the centre of the blind arches there are remains of an early Christian sarcophagus from the 4th century. It features a relief with the emblem of the cathedral that represents the imposition of the chasuble to San Idelfonso under the Sun and the Moon, hence the name of the door.

The Mosque of Cristo de la Luz is a former mosque in Toledo, Spain. It is the one of the ten that existed in the city during the Moorish period. The edifice was then known as Mezquita Bab-al-Mardum, deriving its name from the city gate Bab al-Mardum. It is located near the Puerta del Sol, in an area of the city once called Medina where wealthy Muslims used to live.

Quick to get around and on the positive side, free to access. The Roman baths, discovered in 1986, are viewed via a walkway extending over two rooms. There are also the remains of an ajibe (water system) dating from the 8th century Moorish era when a large villa stood here.

The Plaza de Zocodover is a square of the city of Toledo, in the autonomous community of Castile-La Mancha, Spain. It was the nerve centre of the city during most of its history, acting as its main square. A part of it was designed by Juan de Herrera during the reign of Philip II. Here horses, donkeys, foals, mares, mules and other beasts were sold, when the city of Toledo was Spanish-Muslim city.

Here the most important market of the city took place. It has been celebrated as a weekly market for centuries. Today it occurs on Tuesdays in the vicinity of Paseo de Merchán or de la Vega.

It is today the site of the city’s Army Museum. Its construction dates from Roman times. During the reigns of Alfonso VI and Alfonso X ‘the Wise’ it was rebuilt and became the first example of a square fortress with towers on the corners.

It was once again rebuilt under Emperor Charles V, on this occasion by the architect Alonso de Covarrubias. The façades are Renaissance in style, and it has towers and crenellated defences according to a preliminary design by Alonso de Covarrubias, subsequently completed by Juan de Herrera. After the last reconstruction it became the site of the Army offices and museum.

The temple dates back many centuries, but has only existed as a Christian church since the nineteenth century.

The temple was actually built on top of a Muslim mosque, and before that it had been a church in the sixth century during the reign of the Visigoth King Recaredo. King San Fernando and the archbishop began building the new church in 1226. The fifteen chapels of the ambulatory were subsequently completed. In the year 1300 the transept nave was completed, although work continued on the church for the next two centuries.

At present it is thought that the archaeological remains found about fifty meters from the church of San Sebastián, in the lower area of ​​the Barrio de Curtidores de Toledo, a few meters from the banks of the Tagus River in its southern sections, belong to one of the of the six Arab baths that the city had.

Indeed, it is thought that these Arab baths known as Baños de Tenerías or San Sebastián de Suso offered the possibility of carrying out purification baths for access to the Al-Dabbagin Mosque (the current church of San Sebastián).

This museum has an extensive collection of paintings by this artist of the Spanish Golden Age.

Opened in 1911, the museum is located in Toledo’s Jewish Quarter. It consists of two buildings: a 16th-century house with a courtyard, and an extension dating from the early 20th century. The two share a garden. The museum houses numerous works by El Greco, especially from this brilliant painter’s last period, as well as canvases by other 17th century Spanish painters, furniture from the same era and pottery from Talavera de la Reina.

Mudéjar art in El Tránsito synagogue. The El Tránsito synagogue is the common name for the synagogue of Samuel ha-Leví, and is the most important example of Spanish-Jewish art in existence. It was built in the 14th century, and is decorated with Mudéjar elements and beautiful geometric and floral motifs, and inscriptions in Arabic and Hebrew.

The church itself, which dates back to the 12th Century is relatively small and is located on the site of an old mosque. In fact, the gorgeous squared tower was the old minaret that was converted to a bell tower.

The main draw for the church today is to view The Burial of the Count of Orgaz. The church also  houses El Greco’s masterpiece, El Entierro del Conde de Orgaz, also known as The Burial of the Count of Orgaz. The painting itself is huge and the very vivid colours portray a death on the earthly plane and an image of heaven above. There is much to see in this painting, but not enough time in the St. Tome Church.

The Monasterio de San Juan de los Reyes was built to commemorate the victory at the Battle of Toro and commissioned by the Catholic Monarchs.

It has a single nave, with side chapels located between the buttresses. Of particular interest on the main façade are the chains of the freed prisoners. It has a late Gothic cloister and the ceiling on the second floor is in the Mudéjar style. Its church has a single nave with a stellar vault. Another highlight is the main chapel, which is decorated with the coats of arms of the Catholic Monarchs supported by a large eagles, ogee arches and the figures of saints.

San Martin’s Bridge has one of the most beautiful sunsets in Spain. The bridge was built in the Middle Ages and dates to around the 13th century, the bridge was later rebuilt almost entirely.

Initially it was constructed from ashlars. It was later modified with new defensive structures such as the two end towers, one from the 13th century and the other connecting to the wall from the 16th century. All this has meant that today the bridge has an impeccable structure. In 1921 it was declared a National Monument. It has five arches.

The Puerta Del Cambrón was also historically known as the gate of the Jews. This gate owes its name to the spiny buckthorn bushes all around it which are known in Spanish as cambroneras.

The Puerta Del Cambrón  was built over the remains of a Visigoth gate, and the current structure is in the Renaissance style with a square floor plan. On the interior façade there is a statue of Santa Leocadia attributed to Berruguete.